Thursday, June 14, 2012

Check out this great new Blog!

Mark Nicholson has put up a great blog featuring recordings that were released on the AGP label. Really nice job Mark!

http://americangroupproduction.blogspot.co.uk/

Mark describes the site as follows:
Via the wall of his Facebook group dedicated to the legendary American Sound Studio in Memphis, Erick Crews recently voiced his hopes to see an online database that would serve to catalogue the impressive series of singles as originally released on the AGP label between 1968 and 1970.

Online discographies exist, as do several videos on YouTube. As such a wealth of material is now available on the internet, I decided to to try and put together a comprehensive record of what is out there. Huge thanks go out to the good folks who have created YouTube videos featuring this material - some of which are linked to this blog - and additional thanks are directed towards Roben Jones and Erick Crews who kindly provided me with several elusive audio files and label scans. Without their invaluable contributions this blog would not exist!

At this moment in time a few pieces of the puzzle still remain to be missing, namely some label scans and track information relating to the (withdrawn?) Dee & Don single. I intend to update this blog and include any missing pieces if and when they present themselves to me. If anyone reading this has the material required to fill the gaps, please contact me via Erick Crews' Facebook group devoted to this revered studio's body of work. In the meantime, enjoy the wonderful music contained within this very special collection of seven inch singles...

Tuesday, June 12, 2012

Herbie O’Mell to receive brass note June 10

http://www.bealestreet.com/wordpress/herbie-omell-to-receive-brass-note-june-10/06/2012

From the site:

Entertainment luminary Herb O’Mell will be honored with a Beale Street Brass Note on the historic street’s Walk of Fame on Sunday, June 10, 2012. The event will be from 3:00pm  outside Club 152 on Beale Street.

His note is the 118th to be awarded and he joins honorees that include composers, producers, singers, instrumentalists and music supporters in genres ranging from blues and gospel to jazz and rock.

O’Mell is being honored for his long and varied career in entertainment in Memphis and the Mid-South. His involvement and contributions have been historic and he continues to be active in promoting Memphis music and
entertainment culture.

Here are just a few of his accomplishments:

    He was a founding member of the Memphis NARAS Chapter and he put together the city’s first integrated band.
    He has served on the Memphis & Shelby County Film and Television Commission for 25 years, six of them as chairman.

    He’s been personal manager to Jerry Lee Lewis, Ronnie Milsap and Jim Dickinson. He was business manager of Dan Penn and for Chips Moman and his 3-Alarm Studio. He is also producer of the TV show  “Memphis Sounds with George Klein”.

    O’Mell has also been a music promoter and publisher, nightclub operator, casino insider, travel agent, movie location scout, and Little League coach.

Thursday, May 24, 2012

Duck Dunn 1941-2012

Great tribute to the late Duck Dunn from Steve Cook writing in Premier Guitar magazine. This excerpt was really touching:
Steve Cropper shared the news of Dunn’s passing on his Facebook page: “Today I lost my best friend, the world has lost the best guy and bass player to ever live.” Dunn’s fat P-bass tones and musical stamp are forever linked with some of the greatest popular music ever created, and his bass lines will be played on for generations to come. Duck, we thank you for your generous gift to the world, a world in which you will remain “legendary.” Godspeed, kind soul.
http://www.premierguitar.com/Magazine/Issue/Daily/News/Bassist_Donald_Duck_Dunn_1941_2012.aspx

Thank you Duck for all the great music you made!

Tuesday, May 22, 2012

Another Cool Terry Manning Photo

Erick Crews, who runs the great American Studio Facebook page, recently made me aware of another cool Terry Manning photo. Here is the link:

http://prorecordingworkshop.lefora.com/2011/11/06/son-of-a-preacher-man/

From Terry's post at the site:
Here is a pretty poor low-res scan (from neg, not print) of that shot. Soon I will be making many original prints directly from the negatives, but all photo stuff has to wait in the queue of "so much to be done as soon as possible." (I just got a huge box of my negatives from the past back in my possession, after 24 years of being "lost".) In this photo Tom is tracking Son Of A Preacher Man. Bobby Emmons can be seen on organ through the CR window.
Please go to the site to view the picture since I don't yet have permission from Terry to post it. The post discusses Tommy Cogbill and the recording of Dusty's Son of a Preacher Man. Be sure to read all three pages of comments! Good stuff! Thanks Erick!

Update 8/5/12 -- received permission to post the photo -- great stuff!

Photograph © 2011, Terry Manning.  Used by permission.

Thursday, May 17, 2012

Update on 827 Thomas Street

Check out this great blog post. The author, Aaron Brame, lives in Memphis and recently took photographs of musical locales mentioned in Robert Gordon's book It Came From Memphis. He has a current (March 2012) photograph of 827 Thomas Street -- it's now a Family Dollar store! Check out the other interesting pics -- really cool!

http://www.mrbramesblog.org/2012/03/this-place-used-to-be-great.html

Saturday, May 05, 2012

Sign Petition to Induct American Studio into Rock & Roll Hall of Fame

From the site:
In order to properly honor the memory and legacy of American Recording Studio, we are seeking the assistance of music fans worldwide in a signature petition that will be submitted to the Rock & Roll Hall of Fame later this year. This will be a unique petition because it is an attempt to recognize the accomplishments of the "entity" that was American Studio (in the non-performer category), in much the same way you would view an individual who facilitated a hall of fame-worthy contribution to the music industry.
http://www.ipetitions.com/petition/american-recording-studio-to-the-rock-and-roll-hal/ http://phillipraulsphotolog.blogspot.com/

Sunday, March 11, 2012

Press Release re Paul Cochran's Induction into Georgia Music Hall of Fame

Press Release re Paul Cochran's Induction into Georgia Music Hall of Fame:
In the mid-1960s, Cochran and Buie moved to Atlanta where they partnered with Bill
Lowery and J.R. Cobb to form Low-Sal Music, a publishing company whose first record was “I
Take it Back” by Sandy Posey, a hit produced by their friend Chips Moman. The numerous
records published by Low-Sal included a string of hits by the Classics IV: “Spooky,” “Stormy,”
“Traces” and “Everyday With you Girl.”
http://bit.ly/zqt0lK

Drum Transcription "Memphis Soul Stew"

Transcription of Gene Chrisman's drum part on Memphis Soul Stew:

http://bit.ly/zZWm9F

Saturday, March 10, 2012

Lisa Dillan - You don't have to say you love me

http://www.youtube.com/watch?v=g8RgdWoa88s&sns=fb

Video of Reggie in session with Lisa Dillan singing You Don't Have to Say You Love Me.

You don´t have to say you love me: Quite Quiet Project: Lisa Dillan- vocals, Asbjørn Lerheim- electric guitar, together with some of Elvis Presleys most dedicated musicians: David Briggs - grand piano, Reggie Young - electric guitar, Norbert Putnam - bass and Paul Leim - drums

The Wicked Pickett - The Life and Times of Wilson Pickett

http://www.bbc.co.uk/programmes/b01d5nn0

Roger Daltrey, lead singer of The Who and a Wilson Pickett fan, tells the story of soul legend.

Contributors include Wilson's brother Max; his ex-partner Dovie Hall; and soul stars like Bobby Womack and Eddie Floyd, who experienced the exceptional singing talent first hand; as well as the wild side, which earned him the nickname "The Wicked Pickett".

Pickett died in 2006, aged 64, but he left a legacy of classic hits like Mustang Sally, The Land of 1,000 Dances, and In The Midnight Hour. He was determined to be a singing star from an early age and his brother Max remembers how Wilson would always be getting into fights, whilst also singing gospel in church.

Guitar 101: Studio Guitar Legends, Part I: Memphis

http://www.americansongwriter.com/2012/03/guitar-101-studio-guitar-legends-part-i-memphis/
At 827 Thomas Street, another legendary rhythm section (later to be known as The Memphis Boys) was coming together at American Studios. Reggie Young was the man who played guitar on almost all of the hundred plus hits that came out of American.

Saturday, March 03, 2012

Easley McCain Recording Studio Restoration Under Way :: Performer Magazine

http://performermag.com/2012/02/29/easley-mccain-recording-studio-restoration-under-way/?utm_source=rss&utm_medium=rss&utm_campaign=easley-mccain-recording-studio-restoration-under-way
The studio started as Fantasy Features with Elvis’ business partner and friend, Marty Lacker, as Executive Director. Chips Moman, who owned American Sound, bought the complex to handle overflow. For most of the Sixties, 25% of the Billboard Top 100 was coming out of Memphis. Moman’s partner, Don Crews, ended up running what was first known as American East and later The Onyx.

Saturday, January 14, 2012

Terry Manning's 1968 Photo of American Studio

The great producer Terry Manning took this photo of American in 1968. He has given me permission to post it here -- thanks much Terry! I am hoping Terry will share his remembrances about his days recording in Memphis in the 60s and 70s. Here's his discography -- wow!

The studio in those days was 'incognito' (by design) -- note that there is no signage as there is in later photos of American.


Photograph ©2012 by Terry Manning. All rights reserved. Used by permission.

Sunday, December 25, 2011

Great Stan Kesler Interview

Interview with Stan Kesler conducted by Rob Bowman and Ross Johnson -- great read:

http://blog.georgiamusic.info/stanKeslerInterviewPart2.pdf

Wednesday, December 21, 2011

Official opening of Pegasus Parkway

Chips at the dedication of Chips Moman Highway in LaGrange, GA:

http://lagrange.wtvm.com/photo-gallery/news/49239-official-opening-pegasus-parkway?page=0

TROUP COUNTY, GA - Troup County officially opened the South Loop (Pegasus Parkway, aka "The Chips Moman Highway") with a huge ceremony.

There was music written and played by Chips Moman himself and speakers who saw the project all the way through. The Chamber of Commerce was also on hand to cut the ribbon.

Pegasus Parkway, which now connects Whitesville Road to West Point and Roanoke Roads, is now officially open for your afternoon/morning commute. This section of the loop serves an alternative route to the Western portion of LaGrange.

On the north side of LaGrange, work is still underway to finish up the North Loop. This will connect Mooty Bridge Road to Whitesville Road. Using the North Loop, motorists will be able to travel from Mooty Bridge, Waugh, Young’s Mill, Hammett and Davis roads to Whitesville Road.

Sheriff Donny Turner encourages motorists to use caution while all motorists familiarize themselves with the new roadways. Leave in plenty of time to arrive at your destination, without the need for excessive speeding. Observe the speed limit signs, traffic signals and all other safety devices as you travel to and from home, work and Christmas Partiesl… And, as always – Buckle Up!

Satellite Makes Tracks For McLemore

Check out WKNO radio's excellent series on The Memphis Sound hosted by Rob Grayson. Chips figures prominently in the history of Memphis music and he is featured in several of these episodes:

http://www.wknofm.org/people/rob-grayson

Built in the 30‘s, The Capitol Theater on McLemore brings back fond memories to South Memphians of Saturdays spent watching double features, a serial, and three cartoons, plus a Coke and candy bar, all for a quarter. By 1960, those days were gone, and the building was up for rent. Chips Moman found it, and all parties decided it fit the bill. With 25-foot high ceilings and a sloped floor, the room retained a live concert-hall feeling which would give the label’s recordings an identifiable sound all their own. The team pitched in on renovations, building the control room on the stage, adding acoustic baffles, and converting the candy counter into a record store.

Saturday, December 10, 2011

Happy 75th Birthday Reggie!

Nashville session guitarist Bill Hullett posts about Reggie's 75th birthday party yesterday:

http://www.tdpri.com/forum/telecaster-discussion-forum/303410-reggie-youngs-75th-birthday-bash.html

Hi Guys..

My wife Debbie, my oldest son Clay, and his wife Beth and I had the most amazing time last night getting to help celebrate Reggies 75th birthday. Reggies wife Jenny Lynn pulled off a complete surprise party!!!

It was the most amazing assemblage of real music people all in one place that I've ever seen!!! I know that I'll forget a lot of names but here's a list of some that comes to mind

Originally from Memphis...

Chips Moman....Historic mega record producer
Bobby Wood.....A team Historic session player piano
Bobby Emmons..A team Historic session player B-3
Robby Turner...A team session player pedal steel
Gary Talley.....Original guitarist for the Boxtops!!
Gene Chrisman..A Team Historic session player Drums

Originally from Muscle Shoals

The Decoys...The house band for the event...They rocked!!!!!Featuring
Kelvin Holly ...Bad Boy session G&L Tele player!
David Hood....A team Historic session ace bass guitar

Spooner Oldham Historic A team keyboard session ace and songwriter
Jimmy Johnson... A team Historic session player & engineer
Claton Ivey A team Historic keyboard session player
Will McFarlane...A team session guitarist


The Nashville cats

Ray Edenton...Historic A team session guitarist
Jimmy Capps...Historic A team session guitarist/ Opry member
John Willis...A team session guitarist
Chris Leuzinger ...A team session guitarist
Fred Foster...Absolute Historic Nashville record mogel
Jim Horn... Historic session ace...Sax/Flute


And Well Respected artists:
Leroy Parnell...slide guitar legend
Felix Cavaliere...The Rascals! need I say more!!
Jessi Coulter!!!!!
Lane Brodi
The Crickets ...Buddy Hollys band....How cool is that!!

The Best Part Of All....Watching & hearing Reggie play for a bit...And this was a 100% Tele zone all night long!!!!!!!!!!!!!!!!!!!!! No other electric guitars were present!!!!!

Teenie Hodges Interview

George Klein's interview with the great Teenie Hodges -- co-writer of Take Me To The River (I love that song and Willie Mitchell and the band's arrangement) and many others! He briefly mentions Reggie, Tommy, and the Memphis Boys.

http://www.youtube.com/watch?v=ZEoEqww7MK4

Wednesday, December 07, 2011

Dobie Gray RIP

Sorry to hear of the passing of the great singer Dobie Gray. He will be missed. RIP Dobie and thank you for all the great music you gave us!

I noticed that Dobie willed his property and future earnings to St. Jude Children’s Research Hospital in Memphis, Tenn. As most readers here know, St Jude's is just a few short blocks from the 827 Thomas Street studio location.

http://www.salon.com/2011/12/07/pop_singer_dobie_gray_dead_in_nashville_at_age_69/

Here's a link to Drift Away with Reggie's timeless guitar solo!

http://www.youtube.com/watch?v=gr_eVcCAUXo

Tuesday, November 15, 2011

Friday, November 04, 2011

FAME musicians to honor Aretha Franklin

The 16th annual American Music Masters Lady Soul: The Life and Music of Aretha Franklin, features several days of events, culminating with the Saturday concert. Franklin was the first woman inducted into the Rock and Roll Hall of Fame.

The band includes Hood on bass, Oldham on keys, drummer Milton Sledge, Nashville session guitarist Chris Leuzinger and American Studios Rhythm Section member Bobby Wood on keys.

http://www.timesdaily.com/stories/FAME-musicians-to-honor-Aretha-Franklin,183999

Friday, October 21, 2011

Vote for Chips -- Songwriter's Hall of Fame 2012 Nominee

Chips is a 2012 nominee for induction into the Songwriter's Hall of Fame -- here's a blurb from the site:

Songwriter/producer Chips Moman was a guitarist for Johnny Burnette and Gene Vincent before producing records in Memphis for the likes of Carla Thomas, and later, Elvis Presley and The Box Tops. As a songwriter, his compositions include such much-covered classics as Aretha Franklin’s “Do Right Woman, Do Right Man” and James Carr’s “The Dark End Of The Street.” After moving to Nashville he earned a Grammy for the B.J. Thomas hit “Another Somebody Done Somebody Wrong Song,” and also penned country hits like Waylon Jennings’ “Luckenbach, Texas (Back to the Basics of Love).”

Key songs in the Moman catalog include “Another Somebody Done Somebody Wrong Song,” “At The Dark End Of The Street,” “Do Right Woman, Do Right Man,” “Lukenbach, Texas” and “Wurlitzer Prize.”

http://www.songhall.org/vote/entry/1263

Sunday, October 09, 2011

Refreshing Beverage -- Reggie's Solo on 'Hooked on a Feeling'

What a name for a site! Refreshing Beverage!

http://refreshingbeverage.com/?p=485

This post is about Reggie's solo on Hooked on a Feeling:

"Young provides the melodic intro for the song over a chromatically descending chord pattern, a figure he no doubt came up with on the spot. He fills here and there through a pair of verse-bridge-chorus progressions, whence, aided by swelling strings and a ringing ride symbol, he takes flight with a 5-bar solo that’s utterly perfect and concise and bluesy, but totally of-the-tune. You can’t help feeling a little cheated as he arpeggiates the F chord that leads back into the bridge…but hold on…before you know it, the chorus comes and goes and – he basically does it all over again! (The outro solo actually extends a couple of extra bars before the fade…bonus!)

The dude knew he had a good thing, a solo so nice he played it twice. It provides exactly you want from a solo in a pop song – it takes you to another place, providing respite from the form, and it gives a lift to the tune, however brief, before the verse-bridge-chorus resumes (in this case just the latter two), sounding fresh again from their momentary absence. It provides both tension – in being a break away from the rest of the song – and release, by virtue of Young’s note choices; here, it makes a good song great. I didn’t understand the mechanics of it at 10, of course. I just thought it sounded really, really good. Looking back 40 years later, it turns out – I was right."

Friday, September 23, 2011

Bobby Wood: A Word for New Songwriters

http://www.youtube.com/watch?v=gPenWf0tTe4

"Legendary songwriter, musician and artist Bobby Wood recounts meeting Elvis for the first time, writing for Garth Brooks and gives advice to songwriters entering the music industry. Wood is performing at the "Wake Up Nashville" event September 29th at the Country Music Hall of Fame & Museum to support Narcolepsy."

Monday, September 19, 2011

American Studio Mixing Console

Earlier this year, the Georgia Music Hall of Fame ceased operations at its Macon, GA, location. Most of the contents went to the University of Georgia in Athens. This photo shows Chips hauling the American Studio mixing console back home.

From the article:

"Moman said he hadn’t laid eyes on the board since it landed in the at the hall 15 years ago. He said he wasn’t sure what he was going to do with it besides take it home. “If this old board could talk, I’d have somethin’,” he said."


http://www.macon.com/2011/06/23/1606574/georgia-music-hall-of-fame-signs.html

Saturday, September 17, 2011

Bass Guitar Transcriptions

Lots of people come to this blog seeking bass transcriptions -- and for good reason! Two sought out examples are Mike Leech's part on Bobby Womack's "Woman's Gotta Have It" and Tommy Cogbill on Dusty Springfield's "Son of a Preacher Man." Tommy's bass part was fully transcribed in the March 2006 issue of Bass Player Magazine, but I can't find it anywhere online. I can't find any transcription of Mike's part on Woman's Gotta Have It. Someday I will transcribe these two bass parts and post them on this site!

I found this interesting on-line course from Berklee School of Music -- lesson 10 reviews "Son of A Preacher Man." Looks like an excellent course -- too bad it's not free!

Thursday, September 08, 2011

Symphonic Elvis on YouTube

Mike, Reggie and Bobby Wood appear in this video about the Symphonic Elvis CD. Mike and Reggie at about 3 minute mark and Bobby briefly at 6:50 or so.

http://www.youtube.com/watch?v=JtssgDoBo1g&feature=related

Wednesday, September 07, 2011

MusicMemphis -- History of Memphis Music Blog

Check out this blog on the history of Memphis Music -- very nice:

http://musicmemphis.wordpress.com/

Monday, September 05, 2011

He'll Take You There

Not directly related to American, but Sherman Willmott has done (and is doing) great things for Memphis music! His book Kreature Comforts looks like a great read. This article appeared in the August 2011 issue of Memphis Magazine:

http://www.memphismagazine.com/Memphis-Magazine/August-2011/Hell-Take-You-There/

Friday, September 02, 2011

Charles Heinz Recalls Memphis / Satellite Music with Chips Moman

http://www.memphisflyer.com/memphis/b-side-players/Content?oid=1135862

""I went to White Station and was singing with a group there that included Jim Dickinson on piano. I was introduced to the people at Stax, Satellite at that time, and they wanted me to record. In about '59, Jim Stewart was looking for artists. Chips Moman and I wrote 'Destiny.' It was on the charts here in Memphis for about 10 weeks."

Charles Heinz Photo:

Wednesday, August 31, 2011

Stan Kesler Wikipedia Page (translated from German)

Link to Google translation of Stan Kesler Wikipedia page:

http://translate.google.com/translate?hl=en&sl=de&u=http://de.wikipedia.org/wiki/Stan_Kesler&ei=PMleTsDcGpC5tgf8ksylCw&sa=X&oi=translate&ct=result&resnum=2&ved=0CDoQ7gEwAQ&prev=/search%3Fq%3D%2522827%2BThomas%2BStreet%2522%26hl%3Den%26tbo%3D1%26biw%3D1064%26bih%3D812%26tbs%3Dqdr:d%26prmd%3Divns



Bill Hullett: Music City Session Man

Bill Hullett has some nice things to say about Reggie:

"A few years later in the early seventies, before moving to town, I became a big Reggie Young fan. I would buy any record regardless of who the artists were, as long as Reggie played guitar on it. When I finally moved to town and got to know him as a friend it was the absolute best! My hero became my friend."

http://www.premierguitar.com/Magazine/Issue/2009/Mar/Bill_Hullett_Music_City_Session_Man.aspx



Dan and Bobby E. at U. of Alabama

http://www.tuscaloosanews.com/article/20110828/NEWS/110829854/1005?p=all&tc=pgall

Another good interview with Dan! See link above and excerpt from story below:

The most famous songwriter you've never heard of grew up in tiny Vernon, modern population just more than 2,000, seat of Lamar County. Despite the unlikelihood of small-town Alabama as a springboard to fame, Dan Penn wrote a hit record while still a junior in high school, when Conway Twitty recorded “Is a Bluebird Blue?,” a phrase Penn lifted from the big man on campus.

Facts
DAN PENN WITH BOBBY EMMONS

-What: Singer-songwriters of classic R&B, soul, country and pop hits in concert
-When: 7:30 p.m. Thursday
-Where: Morgan Auditorium, University of Alabama campus
-Cost: $15
-More: 205-348-3844. www.theatre.ua.edu. www.danpenn.com. www.bobbyemmons.com.




Tuesday, August 16, 2011

Soul music's Do Right Man | StarTribune.com

http://www.startribune.com/entertainment/music/127471723.html?page=all&prepage=2&c=y#continue

Dan Penn and Bobby Emmons recently appeared at the Dakota Jazz club in Minneapolis, Minnesota. Here's a good interview with Dan from the Star Tribune:

Songwriter Dan Penn, an Alabama farm boy who became one of the most prolific talents in R&B, pays a rare visit Sunday.


Even if you don't recognize Dan Penn's name, chances are you're familiar with his work.

As a songwriter, Penn helped create dozens of indelible classics that define the golden age of Southern soul, including Aretha Franklin's "Do Right Woman, Do Right Man," the Box Tops' "Cry Like a Baby," James Carr's "Dark End of the Street," James and Bobby Purify's "I'm Your Puppet" and Janis Joplin's "A Woman Left Lonely."

He was equally prolific as a producer, perhaps peaking with a cultural touchstone: "The Letter," by the Alex Chilton-led Box Tops. Even a brief list of Penn's other associates reads like a who's who of '60s R&B: Wilson Pickett, Percy Sledge, Otis Redding, Arthur Alexander, Solomon Burke. Another is Bobby Emmons, an ace writer himself ("Luckenbach, Texas") and member of the famed Memphis Boys, who played with everyone from Elvis and Joe Tex to Dusty Springfield.

Emmons will be there on keyboards Sunday when Penn stops by the Dakota Jazz Club in Minneapolis for a rare appearance that should include a slew of his classics as well as the fascinating tales that go with them.

"We play every once in a while, but not so much," said Penn, who turns 70 this fall, in his slow, quiet, Alabama drawl. He was speaking by phone from his Nashville home, complete with a studio he still uses for artists who seek him out. Memphis guitar great Steve Cropper just finished an album there, and Penn himself is completing the third in what he calls his Demo Series, following up 2008's "Junkyard Junky."

He primarily considers himself a songwriter, but is also a talented guitarist and expressive, soulful singer. The demos he recorded to pitch his classic songs are rumored to be amazing. Penn downplays those and often soft-pedals his many accomplishments. He's generally considered to have had a profound influence on Chilton, for example, but he insists that's not true.

"I didn't tell Alex how to sing," he said, although he admits that when "The Letter" came out, "Some of my friends back home, they thought it was me singin'. I did not influence him in any way except I would pitch him songs that I wrote."

Penn takes responsibility for one key change when they were cutting the record: "I told him to sing 'air-O-plane' instead of 'airplane.' It just rolled better."

The school of radio

So how did a white kid growing up in rural Alabama in the 1950s become an icon of Southern soul?

"I was a farm boy," he said, "but at night I'd listen to R&B. I listened to my little green radio. I had my own little room. After everybody'd go to sleep, I'd listen to WLAC in Nashville. That was my education."

And what an education it was. Ray Charles, Bobby Blue Bland, Jimmy Reed, Little Milton and James Brown crackled over the airwaves, seeped into teenaged Dan Pennington's brain, and he was hooked. As for country, "It wasn't on my radar at that point." Still, a couple of country stalwarts had a role in getting Penn started.

"Daddy had a one-mule farm," he said, near Vernon, some 60 miles southwest of Muscle Shoals, close to the state line. When his father took the truck into town, young Penn would be left to plow the fields. While he plodded behind the mule, Penn would sing songs like Hank Williams' "Jambalaya," and when he'd forget the words he'd make up his own.

His first hit song was recorded by Conway Twitty. Penn said he got the idea from an escapade with his friends. They persuaded some older kids to take them along to the bars in Mississippi. One of the older crowd answered every question with "Is a bluebird blue?" Penn, despite being a little queasy from his first beer, figured, "Maybe there's a song there."

At the urging of bandmate Billy Sherrill, he took "Is a Bluebird Blue" up to Muscle Shoals, and it made its way to Twitty, who climbed the charts with it in 1960.

Penn was 16.

Magic time

That began a long relationship with Rick Hall's Fame studio in Muscle Shoals and later Chips Moman's American Studios in Memphis as an in-house writer and producer. The hits came fast and furious, and so did artists from all over, hoping a little of the magic would rub off on them. There seemed to be an exhilarating sense that anything could happen.

When Atlantic Records honcho Jerry Wexler took Aretha's backup group, the Sweet Inspirations, to American for their own session with New York producer Tom Dowd, Penn said he stopped in and discovered "it wasn't happening." So he and frequent collaborator Spooner Oldham slipped into another room, wrote "Sweet Inspiration," then cut it with the group while Dowd and his crew took a lunch break. When they returned, Penn announced, "We got your hit."

"You know, back in the day I was a lot more aggressive," he deadpanned. "Hungry was the word."

These days Penn favors bib overalls and tinkering with old cars. He's dismissive of the current crop of neo-soul artists for essentially covering the same ground he did 40 years ago.

"I'm not interested," he said, allowing that he mainly listens to Southern gospel now.

And he keeps cranking out a steady stream of new songs. "As long as I'm writing," he said, "I'm OK."

Soul music's Do Right Man | StarTribune.com

The Daily Home - Backup singer reminisces about Elvis


Nice story about session vocalist Mary Holladay Pederson -- from the Talladega Daily Home. Here's the article:

CROPWELL — Mary Holladay Pederson grew up in Pell City and is now a resident of Cropwell, but she has made some fantastic memories in between.

Pederson sang backup for many of the biggest musical acts of the ‘60s and ‘70s, including Sonny and Cher, Ray Charles, Ben E. King, Percy Sledge, Clarence Carter, Ronnie Milsap and Neil Diamond, but none were bigger than Elvis Presley.

Pederson has always enjoyed singing. She began while in seventh-grade in an all-girls quartet and continued throughout high school. She sang for many local functions in Pell City, including store openings and school events. Once after appearing on the Country Boy Eddie Show, Holladay was asked by a nearby radio station to come over and sing for them, too.

After graduation from high school, Pederson went to Auburn University where she began singing with a friend, Susan Coleman Pilkington. She and Pilkington met Jeanie Green, and the three would later become backup singers for Elvis. Green liked their sound and in 1967 invited them to come to Muscle Shoals to begin recording music.

Pederson and Pilkington drove to Muscle Shoals from Auburn many Sunday mornings. They worked at the studio through the night and had to drive back by 7 a.m. on Monday for class. Pederson said they didn’t know it at the time, but they “were being trained to be session singers.”

They soon joined the American Federation of Television and Radio Artists and were paid on the union scale, which was $22.50 per song or hour.

After graduating from Auburn, Pederson moved to Tennessee to work at the American Sound Studio in Memphis. Her sister Ginger, also an aspiring singer, moved in with Pederson and began attending Memphis State University. The sisters began singing backup for musical acts such as Ronnie Milsap and Billy Swan.

The sisters’ big break came when Chip Moman, owner of the American Sound Studio, struck a deal with Felton Jarvis, Elvis’ producer. They agreed on a deal that would have Elvis record at the Memphis studio. Moman liked the Holladays’ work, so they were brought in to sing backup for the Memphis sessions.

Pederson and her sister joined Jeanie Green and Donna Thatcher to become the singers that would back up Elvis on hits such as “In the Ghetto,” “Suspicious Minds,” “Rubber Neckin’,” “Cold Kentucky Rain,” and others. During those sessions, the girls recorded nine songs with Elvis. Pederson was paid $240.35 for her work.

Pederson talks about the first time she met Elvis. She said she was in the studio recording when the lights went out. When the lights were turned off, it meant recording had stopped, so she quit singing and wondered what was going on.

“In walks a huge mob of guys,” Pederson said. “Then Elvis walked through the middle of them. Elvis walked straight over to us and shook our hands.”

As Elvis approached her, Pederson said she began to think of what she was going to say to him.

“What do you say to someone like that?” she asked. “I didn’t want to sound stupid. All I could think to say was, ‘Hello, how are you?’”

Pederson said during later sessions Elvis would sit and talk with them. Many times he would talk to them about karate, saying he learned the techniques to protect himself.

“He was really, really nice to us,” Pederson said. “We were glad to get to work with him because he’d pull up a chair and chat with us like anyone would. After doing about four sessions with him, you kind of felt like he was a friend.”

Pederson said Elvis was sometimes nervous about performing on stage.

“He sometimes heard someone was going to try to get him; hence the big entourage,” she said.

Pederson and her sister did several more sessions with Elvis in Memphis. She said he only recorded at night, and the recording sessions lasted from 8 p.m. until daylight. These sessions usually lasted for about a week at a time.

On the fourth or fifth day of one of the sessions, Elvis came to talk to the girls like he often would. He was wearing an old poncho. Backup singer Jeanie Green approached him and said, “I sure do like that poncho.” Elvis stood up, took off the poncho and gave it to Green. Pederson said she and the other girls were really jealous because “we didn’t think of it first.”

Pederson married her husband, Steve, on July 25, 1970. He was a pilot in the Air Force and was sent to F4 training. The couple moved to Germany for a brief time, and she missed out on three years of recording with Elvis. However, she did sing backup for Ray Stevens at the inauguration of President Richard Nixon in 1973.

Pederson and her sister were asked to do a show with Elvis in Atlantic City in 1974, but Pederson declined because she was three months pregnant. “What a thing to do!” she said.

Pederson crossed paths with Elvis again in 1975 in the Memphis recording studio.

“He looked puffy and fat. He looked unhappy and he wasn’t friendly,” she said.

She knew something was wrong, but didn’t know what it was that had changed Elvis so dramatically.

In 1977, Pederson’s husband was sent to Pilot Safety School in California. She went to Nashville while her husband was away, and she was right back in the studio. She was in the studio recording tracks on Aug. 16, 1977, when the lights went out. She quit singing, and the engineer came over the speaker and said, “We just heard Elvis died.”

Everyone in the studio was shocked. They couldn’t believe it. They all thought he was too young to die.

Moments later the phone rang at the studio. The voice on the other end told them, “Yeah, it’s on the news. Elvis is dead.”

“I felt so sorry,” Pederson said. “You don’t want to see a singer like that decline like he did. We felt helpless.”

Pederson still embraces her time with Elvis.

“The older I get, the more I see it as a great privilege,” she said.

Pederson will be a featured guest on the “Elvis Cruise” Jan. 12-16, 2012. She and her sister have also been invited by former Elvis pianist Bobby Woods to join him on an upcoming European tour where she anticipates playing in 10 countries in two-and-a-half weeks.

While Pederson and her sister had some successful recording sessions before Elvis, Pederson said it didn’t seem like they were to the point in their career where they should have been asked to work with Elvis.

“But Elvis liked us,” she said.

Contact Kenny Farmer at kfarmer@dailyhome.com.

http://www.dailyhome.com/view/full_story/15103680/article-Backup-singer-reminisces-about-Elvis?instance=home_lead_story

Wednesday, August 10, 2011

Couple of links about the Thomas & Chelsea neighborhood -- then and now

I thought this was interesting -- here's a link about a historical church (located roughly half a block from the 827 studio) that dates back to the Civil War -- the photographer took several other pictures along 7th Avenue where the church is located:

http://itchyshutterfinger.com/7th-chelsea/




Here's a link showing before and after pics of the 827 studio -- the beauty shop didn't appear to last too long -- I took a pic of the location in 2007 and the building was a closed-down child care center. And my recent picture last month indicates that the building is once again deserted (rumored to become a Family Dollar Store):

http://www.onthisveryspot.com/find/spot.php?spot_web_name=American_Sound_Studios

Sunday, July 31, 2011

Spooner Oldham Profile

Very nice profile of Spooner -- it's on You Tube in 5 parts....check it out:

http://www.youtube.com/watch?v=KvxhqUTjj2Y

Saturday, July 30, 2011

827 Thomas Street -- July 29, 2011

Here are current photos of 827 Thomas Street (actually this building is 831 Thomas!) -- taken on July 29, 2011:


Wednesday, June 29, 2011

Memphis Boys at Franklin Theatre

Hope you didn't miss the Memphis Boys concert at the Franklin Theatre last Friday (6/25). A great show -- and a great venue! Here are photos from the Franklin Theatre's Facebook page (taken by Anthony Scarlati):

http://www.facebook.com/franklintheatre#!/media/set/?set=a.2131808730752.122315.1112023150

I particularly enjoyed Scat Springs' vocals on all the great R&B classics that the Memphis Boys recorded.

Pictures from the rehearsal at Green's Grocery the day before the concert:

http://www.littlewaltertubeamps.com/page9.html

Saturday, June 18, 2011

Memphis Boys 2005 Interview

An interview with the Memphis Boys -- conducted in Denmark during the Memphis Boys' 2005 visit. Maybe a few mistakes in the transcription but a very nice job:

http://gracelandranders.dk/default.asp?page_id=104

Tommy Cogbill Bass Transcriptions

French bassist Pierre Verger has a site of transcriptions from his favorite musicians -- Tommy C. being one of them. Here's the link -- I actually link to the Google Cached version of the page because my browser blocked a popup page. Just click on the link at the top of the cached version to go to the original page.

http://webcache.googleusercontent.com/search?q=cache:oOtPvKrbI-0J:freebasspart.pv24.pagesperso-orange.fr/Bass_Players.htm+http://freebasspart.pv24.pagesperso-orange.fr/Bass_Players.htm&cd=1&hl=en&ct=clnk&gl=us&source=www.google.com

Sunday, June 05, 2011

Tommy Cogbill's Lasting Legacy

In-the-know bass players still discuss Tommy Cogbill's majestic bass lines -- here's a thread from the TalkBass web site ("Tell Me Your Favorite Tommy Cogbill Bass Line"):

http://www.talkbass.com/forum/f28/tell-me-your-favorite-tommy-cogbill-bass-line-629166/

Friday, June 03, 2011

Resolution Commemorating Messick High School

Reggie Young -- and Steve Cropper and Duck Dunn -- graduated from Messick High School. Here's a Tennessee House Joint Resolution commemorating Messick:


http://www.tn.gov/sos/acts/107/resolutions/hjr0373.pdf

Sunday, May 29, 2011

The Gibson Interview: Guitar Legend Steve Cropper


http://www.gibson.com/en-us/Lifestyle/Features/steve-cropper-0527-2011/

Steve has a new solo album coming out -- most of it recorded at Dan Penn's studio in Nashville. Here's a quote from the interview:

Where does your sensibility for writing great guitar riffs come from?

Some of it is from listing to guys like Lowman, but part of it is also experimenting. When I’d get together with somebody like [Memphis songwriter/producer] Chips Moman in the old days, I’d ask for his advice. I didn’t have much experience working with producers and engineers, and I asked Chips what they’d be expecting from me. He said, “Crop, just go in and do what you do and if they don’t like it they’ll let you know.” My idea was to just play the rhythm until I felt a little opening in there, and I’d stick a lick in or a fill. The producers just loved that, so it evolved from there.

It’s easy to lay a track and play a rhythm, and then have somebody go sing or lay a solo over it, because the rhythm is nailed down.

Tuesday, April 26, 2011

Rareelvispresley.com

Click on the fourth link from the bottom for American-related content. A nice collection featuring snippets of articles about American (most have appeared elsewhere).

http://www.rareelvispresley.com/

Video from the Elvis Museum era at American presumably posted by the website owners here (this video posted elsewhere also):

Sunday, April 17, 2011

Dang Me!

I love this song recorded at American in the sixties. It's from Masqueraders' lead singer Sam Hutchins -- what a great groove!



Interview with the Masqueraders:

http://www.soulexpress.net/masqueraders_story.htm

The original from the great Roger Miller!

http://www.youtube.com/watch?v=z3-EwMJDQek

Billboard Magazine Archives

I have enjoyed using Google Books to search old copies of Billboard magazine, copies of which have been archived going back to the 1940s. Additionally, Billboard magazine has the same search capability on their site (in cooperation with Google). I tried both and it seems to work more seamlessly on Google Books. I ran a search on "Tommy Cogbill" and got loads of hits from the late sixties and early seventies. You really get a sense of being there!

The most efficient way is to go to the link below (Advanced Google Book Search) and limit the search to magazines:

http://books.google.com/advanced_book_search

Or, as noted above, the same search capability is available from Billboard's site:

http://www.billboard.com/archive

Here's an example of a search for articles mentioning Tommy Cogbill:

http://www.google.com/search?tbo=p&tbm=bks&q=tommy+cogbill&tbs=,bkt:m&num=10

Thursday, March 10, 2011

Check This Out

Check this out from the new web site -- Qwiki. It's an automated voice and the content can be found elsewhere (this is from Wikipedia I think), but it's still pretty cool.

http://www.qwiki.com/q/#!/American_Sound_Studio

If you click at the bottom of the page on the 'Press' link, you can read about how this content is generated.

Tuesday, March 08, 2011

The Blind Boys of Alabama

http://www.rosebudus.com/blindboys/TakeTheHighRoad.html

Read about this soon-to-be-released album from the Blind Boys of Alabama. Reggie played guitar on the sessions. Looks like a great album! Promotional video here:

http://youtu.be/KEFRtSqg49s

Tuesday, January 25, 2011

Bobby Wood Turns 70 Today

Happy Birthday Bobby Wood -- from the 'Back in Memphis' Blog:

http://backinmemphis.blogspot.com/2011/01/bobby-wood-turns-70-today.html

From the site (some of the material below from Pamela Decker's article found here):

Happy Birthday Bobby Wood! We appreciate all your contributions to American music! May all your birthday wishes come true!

Bobby Wood is a session musician and songwriter most famous for his work as the Memphis Boys keyboardist. Born in a community just south of New Albany, Mississippi, Wood was one of six children in a musical family that delighted crowds as the Wood Family Gospel Group. After studying classical music through mail-order lessons, Bobby decided that genre wasn’t for him. He then mastered and went on to train others in the American folk music tradition of shape notes.

For Bobby, the organ was his forte. From years of singing with his family, he developed amazing vocal abilities. Already an accomplished musician by his late teens, he set forth on Bankhead Highway to Memphis where he became Sun Studio producer Stan Kesler’s protege.

In 1964, Bobby released a song on Joy Records “If I’m a Fool (For Loving You)” and shortly after Wood joined Reggie Young, Bobby Emmons, Tommy Cogbill, Mike Leech and Gene Chrisman to create a famous group of studio musicians who later became known as the Memphis Boys. Over the years, the Memphis Boys backed numerous artists such as Dusty Springfield, Neil Diamond, Wilson Pickett, The Box Tops, B.J. Thomas, the Sweet Inspirations, Dionne Warwick, Paul Revere and The Raiders, Merrilee Rush, Sandy Posey, Billy Swan, Joe Tex, Herbie Mann, James and Bobby Purify and many others. Of all the hit records that the Memphis Boys recorded, they will always be best known as the musicians that brought Elvis back to prominence in 1969 backing Elvis on records such as “Kentucky Rain” and “In the Ghetto” and Elvis’s biggest record of all time “Suspicious Minds”.

Bobby was inducted into The Musicians Hall of Fame in 2007 as a member of The Memphis Boys.

Sunday, January 23, 2011

1999 Interview with Dan Penn -- Good Stuff!

From New Zealand journalist / producer Chris Bourke -- nice job Chris!

http://chrisbourke.blogspot.com/2011/01/sumpin-real-funky.html

Chips at Dothan Civic Center -- September 2010

Go here and search for Dothan Civic Center to see some great videos:

http://www.youtube.com/user/TheJay55#g/search

Here's one of Chips and Bobby Emmons talking about Lukenbach, Texas:

Chips Moman Bio on You Tube

Saturday, January 22, 2011

Friday, January 14, 2011

Dan Penn and Bobby Emmons Live at the Bluebird Cafe

Listen here:

http://wpln.org/?p=23124

Gene Chrisman « Musicians Hall Of Fame

Brief video salute to Gene from the Nashville Musician's Hall of Fame. Wish it had been longer!

http://musicianshalloffame.com/blog/?page_id=1010

And here's a salute to Reggie --

http://musicianshalloffame.com/blog/?page_id=1014

Bobby Wood also!

http://musicianshalloffame.com/blog/?page_id=998

Story of the origin of these videos is here:

http://musicianshalloffame.com/blog/?p=539

Thursday, January 06, 2011

Songwriter Red West on From Elvis in Memphis

From an interview with Red (link below):

Elvis didn't listen much to his own music but he really loved his From Elvis In Memphis album, the one he did with Chips Moman; that was an album full of great songs and Suspicious Minds by my buddy Mark James. Elvis was so sick of this movie crap that he'd been recording and it was not doing his career any good. When he cut that album it (The session) was just loaded hits, In The Ghetto, Suspicious Minds, Don't Cry Daddy, Kentucky Rain. He brought the demos when he was doing the Change of Habit film with Mary Tyler Moore. He wore Suspicious Minds out. When his albums were released he would listen to them and think about them and wonder if he had done this or that or the other. But the one he played more than any was that Memphis album.

http://www.elvis.com.au/presley/red_west_writing_for_the_king.shtml

Friday, December 31, 2010

The Sweet Inspirations

Very comprehensive article on the Sweet Inspirations:

http://bit.ly/g4cneJ

Interview with the late Myrna Smith:

http://www.elvisinfonet.com/myrna.html

I love the guitar lick on "Sweet Inspiration" -- played by Spooner Oldham (co-author of the song along with Dan Penn).

Friday, December 17, 2010

Sunday, November 14, 2010

Memphis Boys -- Elvis Cruise

Memphis Boys played the Elvis Cruise November 4th through the 8th:

http://www.theelviscruise.com/Artists/View/Id/248/Category/Entertainment/

Here's a picture of Gene:

Wednesday, November 10, 2010

Beale Street Walk of Fame 11.7.10 Marty Lacker & Chips Moman

Here is a YouTube video of the presentation ceremony -- Marty Lacker accepts his award and also accepts on behalf of Chips. Congratulations!

http://www.youtube.com/watch?v=dzkbVh__AxM



And a story on the ceremony:

http://www.examiner.com/cultural-events-in-memphis/chips-moman-and-marty-lacker-recognized-with-music-notes-on-beale-street

Saturday, November 06, 2010

Memphis music legends Chips Moman, Marty Lacker earn notes on Beale Walk of Fame

Chips Moman and Marty Lacker to receive Brass Notes on Beale Walk of Fame. The ceremony is November 7, 2010, at 5 pm.

http://www.commercialappeal.com/news/2010/nov/06/music-legends-earn-notes-of-fame-on-beale/

Check out this list of previous recipients of the award. Very impressive company!

http://www.bealestreet.com/wordpress/beale-street-walk-of-fame

Sunday, October 31, 2010

Chips Moman and Marty Lacker to receive Beale Street Blues Note

Elvis Unlimited, Elvis Presley, Graceland, FTD, CD

From the site:

Marty Lacker to get Beale Street Blues Note Honor This Sunday 11/7.

 It was announced today that Marty Lacker will be honored by receiving a Beale Street Blues Note, the equivalent of a Hollywood Walk Of Fame Star this coming Sunday, November 7 at 5: PM.

Also receiving a Blues Note at the same time will be Chips Moman, the acclaimed record producer who produced Elvis' 1969 sessions at American Studios,Memphis. Moman is also noted for producing over 100 other big hit records by a number of major artists.

Sunday, October 03, 2010

Reggie Young Marker

Reggie Young Marker



From the site:

 "Called the most prolific session guitarist of all time, Reggie Young grew up along the Cotton Highway in Osceola in the 1940s. Joining a multitude of famous artists, such as Johnny Cash, Elvis Presely, the Beatles, and Willie Nelson, Young has performed all types of music, including many songs dealing with his cotton heritage."

Location. 35° 42.169′ N, 89° 58.148′ W. Marker is in Osceola, Arkansas, in Mississippi County. Marker is at the intersection of West Hale Avenue and South Poplar Street, on the right when traveling east on West Hale Avenue. Click for map. Marker is in this post office area: Osceola AR 72370, United States of America.

Monday, September 27, 2010

Financial difficulties, lack of state support beset music hall of fame | TimesDaily.com | The Times Daily | Florence, AL

Financial difficulties, lack of state support beset music hall of fame | TimesDaily.com | The Times Daily | Florence, AL: "TUSCUMBIA - When visitors peer into the brightly lit display cases at the Alabama Music Hall of Fame and admire items such as the handwritten lyrics to “Do Right Woman, Do Right Man” by Dan Penn and Chips Moman, they see a faded text.

It didn't use to be that way."

Thursday, September 23, 2010

Country Hall To Honor Dan Penn : MusicRow

Country Hall To Honor Dan Penn : MusicRow

From the site:

Esteemed music journalist Peter Guralnick calls Dan Penn the secret hero of his book Sweet Soul Music, which chronicles 1960s era R&B. Penn, a Nashville resident wrote classics such as “Dark End of the Street,” “I’m Your Puppet,” “Do Right Woman, Do Right Man,” “Cry Like a Baby,” “Sweet Inspiration,” “It Tears Me Up,” “Out of Left Field” and many more. His songs have been recorded by everyone from country acts the Flying Burrito Brothers, Jerry Lee Lewis, Ronnie Milsap, Lee Roy Parnell, Charlie Rich and Hank Williams Jr. to R&B artists Arthur Alexander, Solomon Burke, Aretha Franklin and Otis Redding.

Born Wallace Daniel Pennington in 1941, Penn was raised on a small farm in Vernon, Alabama. Penn had excellent ears, and he spent countless nights huddled under his covers listening to the faint sounds of WLAC-Nashville on his transistor radio. He instantly took to R&B artists like Bobby “Blue” Bland, Ray Charles and James Brown, who were all featured on radio personality John R’s nightly program. By the time he was a teenager, he was an opinionated musical personality who, according to Penn himself, “lived, ate, drank and slept music.”

While still in high school, he joined his first band, Benny Cagle and the Rhythm Swingsters, and met a young sax player named Billy Sherrill. Sherrill, who would become one of country music’s most influential producers, was impressed by Penn’s songs and urged Penn to follow him to Florence, Alabama, where a vibrant recording scene was emerging.

Penn arrived in town with a hit song in his back pocket, “Is a Blue Bird Blue,” which was recorded by Conway Twitty in 1960. He soon signed a publishing deal with Rick Hall’s Florence Alabama Music Enterprises (FAME) and became the burgeoning studio’s first artist on its Spar label. His local popularity grew even more when he joined the Fairlanes, a high-energy R&B and rock group in the Muscle Shoals area. Later, Penn took his band, the Pallbearers, on the road in a made-over hearse, introducing the southeast region to his own soulful voice and musical fervor. In the meantime, Penn flourished as a writer, forging partnerships with fellow songwriters Donnie Fritts and Spooner Oldham. Penn scored a major hit (co-written with Oldham) in 1966 with “I’m Your Puppet,” which reached the Top Ten on the pop and R&B charts for James & Bobby Purify.

Penn moved to Memphis, Tennessee, that same year and became a chief writer, producer and musician at Chips Moman’s American Recording Studios. The studio cut over 120 Top 100 hits in the late 1960s.

Penn and Moman’s “Do Right Woman, Do Right Man,” originally popularized by Aretha Franklin in 1967 and a country hit for Barbara Mandrell in 1971, is a standard that has been covered by the Flying Burrito Brothers, Brenda Lee, Willie Nelson, Kitty Wells and others. “Dark End of the Street,” also written by Penn and Moman, was a Top Ten R&B hit for James Carr before it was recorded by the Flying Burrito Brothers, the Kendalls, Linda Ronstadt, Gary Stewart, Porter Wagoner & Dolly Parton and other country acts.

With writing partner Oldham by his side, Penn composed late-1960s pop hits for the Box Tops, including the smash “Cry Like a Baby” and the Top Forty “I Met Her in Church.” Penn also produced most of the Box Tops’ catalog, including their #1 record “The Letter” in 1967.

Penn also co-wrote Percy Sledge’s “Out of Left Field” and “It Tears Me Up,” Arthur Alexander’s “Rainbow Road,” Barbara Lynn’s “You Left the Water Running” (originally demoed by Otis Redding), Clarence Carter’s “Slippin’ Around,” Solomon Burke’s “Take Me (Just As I Am),” Laura Lee’s “Uptight, Good Man,” and the Sweet Inspirations’ “Sweet Inspiration,” among many other time-honored compositions.

Penn and his wife, Linda, relocated to Nashville in the 1970s. He released several critically acclaimed solo albums, including Nobody’s Fool (1972), Do Right Man (1994), Blue Nite Lounge (2000) and Junkyard Junky (2007). In 1999, Penn and Oldham released a live album, Moments from This Theatre. The same year, Penn worked with New Orleans R&B legend Irma Thomas on her album My Heart’s in Memphis: The Songs of Dan Penn. He continues to write and produce, and is currently playing live shows with renowned Memphis keyboardist Bobby Emmons.

Wednesday, August 11, 2010

CityFest offers activities for entire family | Dothan Eagle

CityFest offers activities for entire family | Dothan Eagle

From the site:

Start with a songwriter’s roundtable. Stir in some rhythmic exercises. Add in a large helping of running, cycling, art and entertainment. Top it off with two worthy causes reaping some of the benefits. When all of these ingredients are blended together, the end result will be the inaugural Dothan CityFest.

This all-encompassing event will be held Friday, September 10, and run through Sunday, September 12. In between, organizers believe they will be able to offer something for everyone to enjoy.

This downtown extravaganza opens Friday night with the Downtown Music Fest, which features a songwriter’s roundtable. Proceeds from this musical event will go to the ALS Association, which is dedicated to fighting Lou Gehrig’s disease.

Larry Patrick, assistant director/programs for the Department of Leisure Services, says the Downtown Music Fest grew out of a conversation he had with Terry Collins, owner of Screentech. Collins wanted to hold an event for the ALS Association and include it with CityFest. Dothan native and professional songwriter Buddy Buie was soon brought into the conversation. Patrick says “A Songwriter’s Roundtable,” featuring Buddy Buie, J.R. Cobb, Chips Moman, Bobby Emmons and Wayne Carson, was chosen as the night’s event. It will be held in the Dothan Civic Center from 7-10 p.m. and will include a musical reunion of musical talent of the past from Do-than and the Wiregrass.

Sunday, June 13, 2010

Chips Moman & Don Crews' American Sound (Recording) Studio

http://www.facebook.com/home.php?#!/group.php?gid=326748896964

Haven't posted much lately, but wanted to mention this great Facebook page authored by Erick Crews. Erick is the son of Don Crews, so he's certainly in the know. I greatly appreciate his kind words regarding this blog, and also all the enlightening articles and pictures he's posted. Keep it up Erick!

Back In Memphis Concert -- August 12, 2010

http://www.facebook.com/pages/Back-In-Memphis/128742160469340

From the site:

Elvis Unlimited presents Back In Memphis, August 12, 2010 8 PM Germantown Performing Arts Center with special guests:
Jerry Carrigan
Shane Keister
Reggie Young
Mike Leech
Billy Swan
Billy Burnette
Dennis Jale

Saturday, June 12, 2010

Read about the Chips Moman Highway!

http://lagrangenews.com/bookmark/7907066

From the site:

The Troup County Commission on Friday dedicated the pending South Loop as “Chips Moman Highway” in honor of the LaGrange resident acclaimed as a songwriter and record producer for Elvis Presley, The Highwaymen - Johnny Cash, Willie Nelson, Waylon Jennings and Kris Kristofferson - and a who’s who of other musical greats.

Moman is perhaps best known as the producer of the 1969 album, “From Elvis in Memphis,” which included the hit songs, “Suspicious Minds,” “In the Ghetto” and “Kentucky Rain,” and for writing such hits as “Do Right Woman, Do Right Man” for Aretha Franklin, “Luckenbach, Texas (Back to the Basics of Love)” for Jennings, and the B.J. Thomas hit, “(Hey, Won’t You Play) Another Somebody Done Somebody Wrong Song,” which won Moman a Grammy Award.

He got another Grammy for best spoken word album for his “Class of ‘55” recording featuring Cash, Roy Orbison, Carl Perkins and Jerry Lee Lewis.

“Chips Moman has dedicated his life to song and has gifted the world with some of its most remarkable and memorable music,” Commission Chairman Ricky Wolfe said, proclaiming June 12 - Moman’s 73rd birthday - as Chips Moman Day in Troup County.

“As a producer, songwriter and musician, his artistry permeated multiple genres of music and influenced the development of rock ‘n’ roll and soul music,” Wolfe said, reading from the proclamation. “His musical contributions will be enjoyed throughout the world for years to come. We are honored to recognize him today.”

When completed in 2012, the 6.1-mile, two-lane South Loop will connect Whitesville and Roanoke roads, diverting traffic from downtown LaGrange and improving access to West Point Lake and the big industrial parks around LaGrange-Callaway Airport. The $19.1 million construction is being paid for with federal stimulus funds.

“I can’t tell you what this means to me. … I’m flabbergasted,” Moman said at Friday’s ceremony in the jury assembly room of the Troup County Government Center.

An estimated 100 fellow musicians, friends and family members watched a 3/12-minute video, produced by sheriff’s Sgt. Chad Mann, with highlights of Moman’s career.

“He’s one of the great producers of all time,” said Buddy Buie, who attended the ceremony with his songwriting partner J.R. Cobb.

They’re responsible for such hits as “Spooky,” “Stormy,” “Traces” and “Every Day with You Girl.” Moman produced Buie’s song, “I Take It Back” for Sandy Posey and it became a hit.

Cobb said he came to LaGrange because “I wouldn’t miss it for the world.”

“He’ll go down as a person who made a great contribution to music as a writer and producer,” Cobb said.

Others at the ceremony were some of Moman’s old studio session players from Memphis and Nashville - Reggie Young, Bobby Wood and Bobby Emmons, who was Moman’s co-writer on “Luckenbach.”

Also there was singer Eddy Arnold’s nephew, Jerry Arnold, who played drums in a band with Moman in the early Memphis days.

“Overall, he’s the most talented person I’ve ever run into,” Arnold said. “It’s unbelievable what he did. If my life depended on it and I needed someone to make a hit record for me, he’s the one I would contact.”

Moman hitchhiked to Memphis at age 14 and three years later was playing with Roy Orbison and Carl Perkins. At his American Studios in Memphis, Moman produced an unprecedented 120 chart-topping singles between 1967 and 1971 by such artists as Elvis, Neil Diamond, Dionne Warwick and The Box Tops. In Nashville, he recorded stars such as Willie Nelson, Johnny Cash, Kris Kristofferson and Merle Haggard.

Moman has written more than 100 songs, starting with “This Time,” a love song for a girl at Rosemont School, which became a No. 1 hit for Troy Shondell.

“He’s up there with guys like Muhammad Ali and Johnny Cash,” Kristofferson said in a phone interview. “It’s like Hank Williams or something - if you’ve got what it takes. He does.”

Sheriff Donny Turner got his guitar signed by all the musicians at Friday’s ceremony, including Young, who wrote, “Please Arrest Jimmy Buffet,” referring to a song Buffet recorded that referred to Young as being drunk.

Turner, who has recruited Moman for fundraising concerts on behalf of the Pineland campus of Georgia Sheriffs’ Youth Homes, got the wheels rolling toward naming the South Loop after Moman.

“It’s been amazing getting to know Chips, and to recognize his talent to put words and music together for our enjoyment for all these years, and to know he’s from right here in Troup County,” Turner said. “To be able to get him back into the community and have him help us put on some concerts and raise some money for the kids, it’s been an honor.”

The sheriff had received letter in August 2008 from Stan Daniel, a retired record promoter and longtime friend of Moman’s.

“We are having more than our share of problems getting this famous record producer recognized in Memphis,” Daniel wrote.

Daniel first suggested a museum, but decided visitors might infringe on Moman’s privacy.

Turner went to County Manager Mike Dobbs, who showed the video about Moman’s career to the commissioners.

“They said, ‘Yeah, this needs to be done,’” Dobbs said. “… He’s had many, many honors and this is just one more.”

Lincoln Wayne Moman (he got the nickname “Chips” because of his affinity for gambling) was born in a house on Stonewall Street and lived in several LaGrange neighborhoods growing up as his parents got jobs with different textile plants run by Callaway Mills. He lived mostly in a two-story house at the end of Houston Street with his grandmother, mother and aunts, and all their children - a crew that sometimes swelled to 28 people under one roof.

Moman started playing guitar at age 3, accompanying his mother as she sang. He moved with his parents, Mildred Magnolia Deberry and Abraham Lincoln Moman, to the country when he was about 9 years old and attended Rosemont School while living on Rosemont, Smokey and Briley roads in south Troup County. He shares a birthday with his aunt, Bertha Lee Moman Robinette of LaGrange, who turned 97 today.

Moman returned to LaGrange in 1996 and lives on his family farm near West Point Lake with his wife, Jane. They tend to horses, and he enjoys his dogs and cats, and watching old westerns on TV. Moman can’t play guitar because of a stroke he suffered about two years ago, but he’s expected to make a full recovery.

“I really believe that caring about other people is an important factor in a person’s life and if you don’t have that, you don’t have anything,” he said. “If you can’t care about the people you love, what are you?”

Read more: La Grange News - Your source for local news, classifieds, business listings and events in La Grange, Georgia.