From the site:
One of Elvis’ trusted friends, Marty Lacker was instrumental in arranging Elvis’ seminal recording sessions at American Sound Studios with producer Chips Moman in January and February of 1969. Marty shares the genesis behind those historic sessions, which yielded the hits, “Suspicious Minds,” “In The Ghetto,” “Don’t Cry Daddy,” and “Kentucky Rain” and marked an artistic rebirth for the singer.
Marty Lacker: I quit working for Elvis because I got tired of traveling and the atmosphere changed a bit when he married Priscilla. I was the co-best man at his wedding. This is late ’68. At the same time I got an offer from Pepper-Tanner, a major jingle and barter company here in Memphis. They asked me if I’d be interested in starting a record company for them, Pepper Records, which I did. I discovered Rita Coolidge and cut the first hit on her. I started cutting over at Chips’ studio, American. I slowly but surely started getting involved in the Memphis music industry. This was in its heyday when we were the third largest recording center in the world because of all the hits that had came out of here.