WKNO’s Rob Grayson has a great article about Sandy Posey:
If you called to book a session at American Studios on Thomas back in the mid-1960’s, chances are you would talk to a lady named Sandy Posey. Similarly, if you were a song publisher wanting to interest producer Chips Moman in recording one of your tunes, receptionist Sandy Posey would be the first person you would talk with. Perhaps the conversation would turn to the fact that Sandy herself was a singer. All supposition aside, for one industrious song plugger, that information turned into a opportunity to say, “Sandy, I think I have something that just might be a perfect fit for you.”
Writer Roben Jones shares the story in her book Memphis Boys, The Story of American Studios. Gary Walker, representing Painted Desert Music, came by to pitch some songs for the Gentrys’ second album. And somewhere in his repertoire was a song Martha Sharp wrote titled “Born A Woman.” Walker invited Posey to come to Muscle Shoals and sing the demo version of the song. It didn’t happen overnight, but Chips got around to cutting the master of the song, and Sandy was his pick for the singer.
American Studios was still in the process of converting from monaural to 4-track recording, so the session was held at Royal Studios with Moman at the board. The home studio for Hi Records, Royal had immediate access to multi-track facilities. Scotty Moore played guitar on the session, and in the band were couple of guys who would become regulars at American Studios in the months to come, Tommy Cogbill and Mike Leech.